At some point my self-distractions will loop back on themselves and I’ll actually finish a thing. Today is not that day! 🎉 Having a play at unifying yellows and reds via purples and pinks, inspired by @minis ‘s gorgeous Howling Griffons scheme.
A black-primed Marine mini pictured against a wet palette of purples, yellows and pinks. The boots, shins and kneepads are coloured ‘yellow’ (stage right) and ‘red’ (stage left) in different combinations of that same paint set.
He’s gone for the obvious progression, folks. Skin, dagger hilt, crown. The goal is always to make painting everything else as pointlessly fiddly as possible.
A bit of tidying today, smoothing some of the worst colour blends. I’ve added a bit of yellow at hard transition lines in an attempt to suggest that the Actual Human Sun might be directly glinting on those edges, discrete from bright sky and ground reflections.
Finding myself with some purples and reds still on the palette and the long-abandoned Spooky Lady within arm’s reach, I’m randomly trying to improve this older coloured NMM attempt by boosting contrast.
Hey, look at me, un-abandoning a thing! I really like the dark desaturated purple and red I ended up with as a base on the big bug, so I’m glazing the same mix over the clashing too-vibrant versions here (while I remember what they are).
All that glorious skin, you tell yourself, all that expanse of carapace. But you forget the vents, dear reader, you forget that 70% of the surface area is tiny vents.
Making a brief (?) step away from dwarf pal to give @Berit ‘s Zorn challenge a try. A greenskin with metal bits makes perfect sense for a palette without explicit green or metallics, right?